The first step toward a quality reproduction is to convert your original artwork into digital form. How this is accomplished is dictated in part by the medium and size of your artwork. The most accurate color balancing is achieved when we have your original artwork to refer to. Your work will be directly scanned on our high-resolution scanner or we will have a high resolution digital photo made.

Of course, if you’re a digital artist creating your originals on a computer, the above steps would be eliminated and we would work directly form your electronic files. 

Once we have a digital file, we electronically color balance your art, matching your original if available. Your proof is then printed on the same paper or canvas as chosen for the final print. Typically proofs are smaller than the final output (usually 8” x 10” or 11” x 14” depending on the final size of the reproduction) but large enough to give a good representation of what the reproduction will be like.

Our aim is to provide a proof that is as true to the original as the Giclée process allows.

The final step in the process is to coat canvases with a liquid UV protection, semi-gloss or matte.  Watercolor papers and art papers require no lamination.

Canvas stretching on standard or heavy-duty stretcher bars is available, as are gallery wraps. 

Because of their quality, Gicleés are appearing in the finest galleries and in the hands of collectors.

Select your best; we’ll handle the rest! 

Teshin Associates Digital Arts is adamant in preserving artist’s reproduction rights. For more information read Ann Avery Andres' article "Reproduction Rights for Fine Art" . 

For your convenience, we accept Visa, MasterCard and American Express.